![]() My plastic rocker was much more plastic than anybody’s.”īowie drew upon a variety of non-musical influences and sources for the concept, from pop artist Andy Warhol to films such as Metropolis, Pork, and Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange. ![]() Speaking in 1976 of its follow-up, Aladdin Sane, Bowie remarked: “I packaged a totally credible plastic rock star - much better than any sort of Monkees fabrication. He had previously toyed with loose thematic links, such as the meditations on madness in The Man Who Sold The World, or the pen portraits on the second half of Hunky Dory, but The Rise And Fall Of Ziggy Stardust And The Spiders From Mars was perhaps his most focused offering to date.Īt its heart, the album was a reflection on the nature of celebrity and artifice. Melody Maker, 29 October 1977 The Ziggy Stardust conceptĭavid Bowie’s fifth album was his first to be promoted as a concept album.
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